In the case of image macros, the immediacy lent by the combination of text and image is superior to any text only set up. not be mundane (the less mundane the better), has to carry some kind of information that we are learning (the more aspects the better), and it has to be understood quickly (the quicker the better). This ties in to the notion that in order for humor to be successful it needs to do three things. While amibiguity is possible, it’s less likely.Īn important element of these image macros and rage comics is that they also give the voice of joke and allow for multidimensional jokes to exist in few words. Macros allow for intentional tone to come across clearly in communication online without folks having to have any metacommentary and to maintain an even level of discourse. Interestingly in a manner similar to gif responses, macros flesh out text with uniquely specific tones.
Although they come in many forms, the most common type of image macro is a photograph with large text superimposed in Impact font, using all upper case letters and coloured white with a thin black outline. The Image Macro On internet forums and imageboards, image macros are used to emphasize a certain phrase (often an ()) by superimposing it over a related picture.
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If you’re already acquainted with them, feel free to scroll down I’ve included a couple of comics for those who don’t know much about these comics. If someone draws, I promise you, you’ll be far more inclined to read it. Honestly, how likely are you going to read about someone’s awkward encounter with a cashier at a bowling alley or insights gained while showering? All of ‘em.īesides being a core driving element of Porcellino’s work in minimal line poetry, it’s got a lot to do with the online explosion of rage comics. When presented a poem, most people would opt to not read it. Are we expressing things right? Will it matter to anyone? Will anyone read this? With a chuckle he went on and discussed how he had discovered a magnificent fact about humans. He spoke about the universal difficulty that we have as humans in making connections with others via our creations. I once saw John Porcellino in Pittsburgh give a talk about poetry and comics. It has become increasingly popular to create the comics using web applications often referred to as “rage comic generators” or “rage makers" () The comics are typically used to tell stories about real life experiences, and end with a humorous punchline.
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The Rage Comic "Web comics with characters, sometimes referred to as “rage faces”, that are often created with simple drawing software such as MS Paint. They use them, they make them, they share them, they change them, hell, when they’re good they even print them out!įor you folks that have been living under a rock lined with original pages of Gasoline Alley, here’s what we come the consensus that these two things are. They’re One panel gags and simple strips and people love them. Well, simply look at Rage Comics and Image Macros.
How can I say this? What justifiable evidence do I have that isn’t tarnished with the bias of a publishers dirty money? Well of course, it’s over 20 years old! In my eyes, It’s a good thing that the universality of comics is genuinely seen to be a self-evident truth of comics. A 2011 reader of _ Understanding Comics_ might see the work to be not much more than a well thought out statement of seemingly self-evident truths. Today’s comics world in the United States can be seen to have reached that point. They may not necessarily say anything new, but they allow those things that we already thought we knew to be said with some sense of objective truth backing them.Īs in all disciplines, because of the constant shifting of paradigms, after a certain amount of time, readers may struggle to see how the seemingly antiquated thesis put forth by an author or researcher breaks any ground. It explains and concretely addresses the instinctive notions that many of us have about the world that we live in. I’d argue that it stands in the same place that a lot of scientific research does. You might not like Zot, but _ Understanding Comics _was the defense that the medium had long been waiting for. It’s been a long time since a defense of comics as a medium of expression has been necessary. I hope you find them useful in some way.❤️
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These posts are full of a naive enthusiasm that though at times embarrassing, I'm proud of. That site was a space to publicly commit to learning the art and craft of cartooning and self-publishing. 📝This archived post is originally from my old comics focused Wordpress blog from 2011-2019.
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